Before the late 1990s, film theory largely ignored animation, treating it as a lesser cousin of live-action cinema. Paul Wells changed that. He argued that animation is not a genre (like horror or comedy), but a with its own language.
Before the late 1990s, film theory largely ignored animation, treating it as a lesser cousin of live-action cinema. Paul Wells changed that. He argued that animation is not a genre (like horror or comedy), but a with its own language.
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